Un Séjour Avignonnais: Part IV

Avignon (c) Hong Zhao

Part I

Part II

Part III

That evening the main event that lured me to Avignon takes place; the JAM aka Jazz Avignon Musics (dodgy English) Tremplin contest. In French, tremplin literally means ‘trampoline’ but could also be used in the metaphorical sense of a launchpad or boost. Three acts battle it out to be the JAM Tremplin laureate for this year. The winner is decided through a mix of public voting and jury deliberation. Alas, the transport links to the venue in Place des Carmes are extremely limited. By around 9pm, most of the buses stop altogether (summer hours). My enquiries about taxi services lead nowhere. That means I’m walking it back from the show to the accommodation after dark.

Since I’ll have to cover most of the outbound commute by foot as well, I decide to walk the whole way.  I bump into my Airbnb host, Didi near the canal. He informs me he’ll be out of town for the rest of my stay. I’ll have the space to myself. I’m taken aback but have enough presence of mind to express my appreciation for him as a host. As a parting gift, he recommends some more cultural events in the region that weekend and we go our separate ways.

Despite some unplanned detours and delays, I arrive at the Place des Carmes 10 minutes from the start of the event. However, I’m light-headed with hunger – unusual for me. Since my morning pastries, I have had a cookie and a slushy. I thought these would provide enough sugar-rush energy until dinner. Clearly not. Fortunately, the JAM venue is surrounded by restaurants.

Tonight, I’m determined to eat some local cuisine. I find a laidback restaurant with amicable staff serving a Provence fish specialty with some salad and copious amounts of bread (naughty, I know), added on request. 

In spite of the restaurant's efficient service, there’s a queue by the time I return to the JAM venue. It’s at full capacity inside.  We have to wait for others to leave before anyone can enter. To think that I arrived early enough to have avoided this nonsense. Damn my hunger.  If I miss out on the show, I’ll be furious. This is the main thing that brought me to Avignon in the first place. Given the rest of the underwhelming line-up, if I miss this, it’ll feel like a wasted trip. I could come to Provence any other time of the year.

Gradually, some punters start to vacate the venue. I enter just as the Gregori Hollis Quartet are rounding off their set. There’s no space to sit except for the edge of the stage. During the break some more seats become available. I can now relax into the evening. The venue, le Cloître des Carmes, is stunning. Initially a Carmelite convent dating back to the 14th Century, since 1967 it’s hosted open air concerts, the stage flanked by the original stone arch design.

The next set is by an auspicious French and Caribbean Piano/Alto Sax pairing called Crossing. I appreciate the pianist’s rhythm and voicing. They’re followed by Who Parked the Car?, a Jazz/Rock fusion sextet led by a female vocalist, who draw inspiration from the likes of Glasper and Snarky Puppy. My initial plan is to stay for just one or two numbers. The concert is already much longer than I thought. Famous last words. I’m too intrigued by the soundscape of Who Parked…? to leave early.

I’m also coaxed into staying by an obtrusively gregarious Parisian named Hanane. During one of the breaks, she stops to interrogate me about my Dutch wax skirt and the ornate tote bag I picked up from a conference in Kenya last year. She’s very keen on both (my get-up has already drawn the positive attention of a motorist earlier that day. ‘I love your style’, he yells).

Hanane manages to be sociable and yet greatly lacking in social intelligence. I wonder how she’s made it this far in life being so obliviously obnoxious. It occurs to me that she might also be neurodivergent. Then again, women on the spectrum are usually socialised into masking well enough for it not to be so obvious. Hanane is overly familiar and tactile, handling my skirt and bag before I’ve given permission. She has a habit of poking me so hard in the shoulder for emphasis, I tell her to knock it off. She is keen to swap details however, claiming she has cultured friends all over, including Brussels, through whom she can hook me up with comps. More importantly for my immediate concerns, she mentions multiple options for me to return accompanied to my accommodation.

After Who Parked…? close their set, there’s an indefinite period of deliberation by the jury.  The ballots have run out before I can cast my public vote. Maybe it’s for the best. I’d have been torn between the last two acts. In the interim, there’s supposed to be a jam (no pun intended) with all the musicians playing on stage. Judging from the sluggish uptake, most of them don’t seem interested in this option.  They’re probably too preoccupied with waiting for the results.

 

I’m exhausted. Meanwhile, Hanane alternates between offering to take photos of me ‘as a souvenir of the night’, and making passive aggressive comments about my eagerness to return to my accommodation because of fatigue. Well, I barely got any sleep yesterday but this kind of event doesn’t happen every day. No, but it happens every summer. No two shows are the same…but if you don’t have the patience to wait… Hold on a minute. I’ve already killed time waiting around for her entourage to exit but they aren’t ready to leave. I don’t want to be at the mercy of others’ schedules, I protest. Hanane keeps ‘volunteering’ the services of a friend to accompany me home. He seems non-committal and is not in a hurry. I am.

It’s past midnight and there’s no clear indication of when exactly proceedings will be over. I leave Hanane’s hot air and the strains of the half-hearted allstar jam behind me.

Before leaving, Hanane reassures me that Avignon is still active at this time of night. Didi tells me women walk alone all the time. 

Avignon Bridge (c) Compagnons

It's true that bars and restaurants are still thriving in the immediate vicinity. I follow a mixed gender group down a familiar road. They might have also been at the concert. Their presence puts me more at ease. One of the two men is pushing a woman in a wheelchair. I slow my pace to adjust to theirs. They eventually take a turn that I don’t recognise. I forge ahead, trusting it will work out.

It does, sort of.

I break out onto a busier main road near the city centre. I head in the wrong direction at first, stumbling upon a red light district before I course correct. I then follow a couple with a dog, walking (or cycling in the woman’s case) in the direction of my accommodation. I’m once again led down an unfamiliar street. The couple turn in the opposite direction. Fortunately, I’m closer to the Airbnb than I realise. I figure out my bearings. As I do, another group of women emerge, also walking their dogs at this ungodly hour. Still, I’m grateful. It means I’m not alone. Praise Jesus, I make it back all in one piece.

It’s the weekend. The start of a new month and the last full day of my Avignon trip. I’ve opted to stay in the area and return to some sites that I haven’t yet had time to explore. My first stop is the le fameux Pont Saint-Bénezet/Bridge of Avignon. En route, I stumble across the souvenir district and pick up one or two trinkets. 

For my student discount ticket, I get entrance to the bridge with an audio guide.

Next stop is Villeneuve-lès-Avignon, an adjunct village built during the papal era.  I have another video call with sis later that puts some time pressure on me. I pass by yet another re-purposed monastery, La Chartreuse. I’m not in the mood to pay for another attraction, nor do I have the luxury of time, so I take advantage of the deck chairs in the free space, Le Cloître Saint-Jean garden, for a little respite. Later, weaving my way through the charming streets of Villeneuve-lès-Avignon, I can’t resist a detour to La Colline des Mourgues, only to find it locked for risk of the forest fires that have recently blighted Southern Europe.  

Palais des Papes (c) Mike Von

Sis and I end up rescheduling our call anyway, so all the rushing was for nought. If I’d had a day or so extra, I’d have taken a trip to nearby Rochefort-du-Gard or returned to Arles to hang out on my own.

All in all, I feel a strange detachment to Avignon.  It’s something I'm reluctant to admit. I'm conscious that travelling for pleasure is a luxury for most of the world, and that being ambivalent about my holiday is a highly privileged position to be in.

I don’t know what it is. The region is attractive. I enjoyed the JAM festival, once I could get in. Maybe it’s just that I left it too long to visit Avignon. Unconsciously, expectations must have built up over the years and decades that couldn’t be met.

That night, it’s back to ÔCargo for dinner.  The theme that evening is a fiesta: Central and South America-style. The advised dress code is white and red. I know in advance but ignore it. I didn’t bring anything appropriate anyway. A live brass band plays what I assume are some traditional instrumentals. It’s not my cup of tea. That night, I skip the Tunisian to check out the Afro-fusion menu. I’ve been apprehensive up until that point, as I tend to judge this cuisine more harshly for a variety of reasons. I try the Bao bread rolls with fried chicken, a flavoursome onion and bell pepper garnish, guacamole sauce and sweet potato chips. Those are the only kind of fries I really enjoy and these are particularly good; some of the best I’ve had anywhere. My experience of sweet potato chips in similar establishments have thus far been disappointing.

Avignon @ sunset (c) Tao Qi

I leave not long after my meal, wanting to beat the sunset. I'll be saying farewell to Avignon the next day. Little do I know at the time how stressful my return journey to Brussels will be, with a cancelled train setting off a chain of heart-palpatating events.

For now, all I have to think about is the walk back to Didi’s. I’ve come to enjoy the quarter hour or so stroll along the motorway between ÔCargo and the accommodation. As I leave, I wish bonne soirée to the same woman working on security each night near the entrance of ÔCargo's converted depot. I feel to tell her that I’ll be leaving soon and wish her all the best but she’s distracted with incoming clients.

It occurs to me that the odds of us ever seeing each other again are extremely remote, even if I return to Avignon (I'm in no rush). I never even asked her name. It has me wondering about all the liminal relations we have with people who aren’t complete strangers but with whom familiarity is tenuous. It’s so easy for us to vanish out of each other’s lives from one day to the next. The thought makes me slightly maudlin.

Maybe we’ll meet in eternity, I assure myself.

Soundtrack: Tuff Times Never Last by Kokoroko; Masego by Masego

Un Séjour Avignonnais: Part III

Arles Amphitheatre (c) Lucas Miguel

Part I

Part II

The following day, I have plans to reconnect with Élise, an old acquaintance I met back in Strasbourg when I was a member of a community Gospel choir. We haven’t seen each other since before the pandemic. Élise relocated from Alsace further South to switch careers and enter the culinary world. On my recent trip to Strasbourg, her name came up whilst reminiscing with various friends who are still connected to the choir.  For a chorale anorak like me, Élise is a dream to sing with. Her good musical instincts, especially her knack for harmonies, makes her self-sufficient in that she holds her own when others with less musicality flounder. In my ideal chorale scenario, the group would be solely composed of Élises.  After my recent nostalgic trip in Strasbourg, I reach out to Élise to let her know she’s been on my mind and in my conversations. She mentions that she now lives near Arles, which turns out to be a mere 20 minute train ride away from Avignon. (Élise has moved around Southern France a lot in the intervening years).  I’ll not only have a chance to catch up with Élise but also explore another part of the region. The stars have aligned. 

When Élise meets me at Arles station, I notice straight away that she’s grown her hair out and left behind the fuchsia tint, returning to her natural colour. (It was apparently at the behest of some snooty Michelin-star establishment where she once worked). The industrial surroundings of the station mask what turns out to be a very picturesque bohemian old town. Iconography of Vincent Van Gogh is everywhere. The Dutch artist made Arles his home for a time. Élise and I initially grab a quick bite whilst we walk and talk. Considering the seven year hiatus, it doesn’t feel organic to catch up this way. I also require some readjustment to Élise’ at times (unintentionally) brusque mannerisms. We hover around the vast amphitheatre ruins, parts of it now apparently an improvised toilet judging from the odour, and follow the route of other remains of antiquity.  Arles is the kind of town that I’d like to come and get lost in on a solo trip. Whether I’ll squeeze it in this time is doubtful.

Arles waterfront (c) Baptiste Buisson

I suggest Élise and I find a café to sit and talk properly. We settle on an establishment that serves tasteless ice tea and bissap drinks. Nonetheless, as I thought, being stationary helps us to relax more. I summarise (ahem) the peaks and troughs of my Belgian experience. Élise equally recounts the antics of the merciless world of gastronomy. They say clichés always have a grain of truth, and abusive behaviour by senior chefs seems far too commonplace. 

After a couple of hours, we take the scenic route back to Arles station along the banks of the Rhône. The discussion now turns to our much reduced singing activities since leaving Strasbourg. Whilst Élise has at least acquired a new hobby learning the clarinet, neither of us has found a suitable choral opportunity since our Strasbourg days. 

We part ways at Arles station. On top of my 40 minutes early arrival, my return train is half an hour late. That’s precious time I could have spent discovering more of Arles on my own.

That evening, it’s back to ÔCargo for a more propitious eating experience. I opt this time for the very reasonably priced chicken tagine from the Tunisian restaurateurs. There’s a DJ set from 8pm, not that you would know it from the empty dancefloor. The music policy is reggaeton, Afrobeats and uncategorisable remixes of 2000s Pop-R&B hits by the likes of Nelly Furtado and Fergie.  The set is one of my motivations for passing by this evening. However, between the lack of engagement by other punters and the fact the selection isn’t compelling me to hit the dancefloor solo, I return to the accommodation earlier than scheduled.

Nîmes (c) Alix Guerin

The following day, just over the half-way mark of my trip, I’ve scheduled a visit to nearby Nîmes; another old Roman town and the home of denim (De + Nîmes). It takes me a while to drag myself out of bed. I pass out the night before, rather than going to bed properly, which has a knock-on effect. I feel especially fatigued. I’ve promised myself some patisserie to be eaten at a leisurely pace in a local boulangerie. I am making up for the missed opportunity on the morning of my birthday itself.

For the first time on this trip, it rains – lightly and intermittent. By the time I arrive at Avignon Central, according to some mildly insolent station staff, the next direct train will get me to Nîmes well after 2pm. It’ll be an express visit, indeed. I have evening plans to catch the JAM Tremplin contest in central Brussels, the only festival event in which I’ll participate. 

I make a beeline for the Nîmes arenas through an attractive avenue. I initially quibble over whether to pay the 11 euros entrance fee. I’m all the more hesitant having forgotten my student card back at the accommodation, which would have saved me a whole two euros. I can hear my mum’s voice telling me to repent of my miserly ways and seize the moment. I obey.

I’ve arrived just in time for a guided tour. The young woman at the box office asks where I’m from. I rue the Anglophone intonation that always gives me away. She reassures me that it's a good accent. Clearly not if she can pick up on me not being a 'native'. She apparently doubts my capabilities. The tour is in French, by the way. Fine. I live in a Francophone country.

The guided tour takes us through the arrival of the Romans, the establishment of the town of Nemausus (Nîmes' Roman appellation, named after a god) en route from Italy to Spain, and the social stratification of Roman society, as reflected in the seating arrangements of the amphitheatre. The guide recruits volunteers to re-enact some of the games that would have taken place in the arenas, including simulated animal hunts and specifically the gladiator show-downs. I learn that there were three gladiator eras of which during the last, a ban was imposed on fighting to the death or the winner being finished off by the Roman authorities, as would have happened in the earlier phases. I'll admit, with sheepishness, that I occasionally miss what the guide is saying or some of the high-speed exchanges with other 'native' tourists. Having lived in Francophone contexts for the best part of a decade, of course my linguistic skills have not stood still. I won't allow them to. However, I'm not one of those geniuses who has managed to acquire a could-have-fooled-me, near-native level in another language. I'm reminded of this more often than I'd like.

After an hour, the guide leaves us to our own devices. Those of us who can clamber over the enormous steps to the top of the amphitheatre are rewarded with a birdseye view of parts of Nîmes.  It does set off my mild vertigo, so I don’t hang around too long. 

Nîmes Cathedral (c) Youssef Jounaid

I’m mindful of the time. I have a long evening ahead and want to return to my accommodation before heading back out for dinner. La Maison Carrée, a very well preserved Roman temple, is a short walk from the arenas. I hear that visiting the inside is not worth the ticket price, so I keep it swiftly moving.

I stop by for some quiet time at the nearby St. Paul’s church. I see lots of meandering side streets and can’t resist the typical urge to get lost down them. My curiosity pays off. I stumble upon St. Castor’s Cathedral and some attractive water features. I regret that I don’t have the chance to check out Les Jardins de la Fontaine, Tour Magne or the ancient aqueduct, Pont du Gard, on the outskirts of Nîmes. Alas, time is of the essence. My get up isn’t the best for all this walking, either. My skirt is too long and my sandals too high.

My instincts correctly lead me back to Nîmes very sophisticated-looking, romanesque main station.

I couldn’t have timed it better to catch my return train to Avignon. I’m blessed with good connections all the way to Didi’s place. I decide to stop off at the local Lidl en route. On my way to the shop, I notice someone walking close behind me. It’s one of my pet peeves. I slow down so they can take over. It’s then that I notice it’s some older white creep who was eyeing me up on the bus earlier in the trip. He has no intention of taking over. He also happens to be going to Lidl. Funny that. 

The remains of the Roman arenas in Nîmes (c) Hongbin

I grab my purchase and fast track through the self-service. I rush back to the accommodation as quickly as my high sandals will carry me, constantly checking to see if I’m being followed.

As usual, this minor incident makes me self-conscious about my shape. I remind myself that for men who feel entitled to ogle women – or worse – there’s no ‘appropriate’ way to dress. Intellectually, I know the problem is theirs and not mine. Emotionally, I’m still wrestling with a kind of internalised misogyny that blames women for men’s sexual misconduct. More generally, from early on in my short séjour avignonnais I’m reminded that in France, la drague est le sport national. I’m made very aware of attention from the male species that I don’t consistently receive in Belgium. Fortunately, most of it isn’t as unnerving as the Lidl stalker.

Part IV

Soundtrack: Tuff Times Never Last by Kokoroko

Un Séjour Avignonnais: Part II

Part I

(c) Angele Kamp

The next day is my birthday proper. As is now customary, I’ve booked a spot on a city tour. The difference this year is that, since there were none of the donations based set-ups to which I’m accustomed, I fork out the expense for a more official tour.  Apart from the individual so-called ‘murmur boxes’ through which we can listen to the guide, there is no qualitative difference for the price. I'd expect at least entry into one of the main historical sites.

Having paid in advance, it’s even more important that I'm not late. The tour begins late morning giving me time, in theory, for a lie-in. However, some life admin involving one of my banks cuts into my lazy morning plans.  So much for a leisurely indulgent breakfast at a café.

I nevertheless arrive at the designated meeting place with time to spare, only to realise it’s the finishing and not the starting point. I phone the guide, Ana-Luiza. With the help of her hastily memorised directions and a kindly local who accompanies me to the spot, I make it just in time for the start of the tour. Ana-Luiza claims she won’t go into too much historical detail for fear of ‘boring’ us. She’s being modest.  Formerly married to an Avignonnais but only having lived in the City for three years, she knows her stuff. She uses the inclusive ‘we’ when talking about her adopted city. 

I find out that Avignon has only 60,000 inhabitants; more like a town than a city. During the annual theatre festival, now in its 80th year, approximately one million visitors descend upon Avignon in less than a month. That’s why so many businesses take a break afterwards.

Avignon is almost as old as Marseille but doesn’t have as many visible reminders of when it was once occupied by the Greeks and Romans (most of these remains have been built over). I learn – or am reminded – that papal control of the region lasted several centuries from the middle ages to the early modern era. I discover that the nursery rhyme about Avignon Bridge apparently only dates back to either the 18th or 19th century, was written for a theatrical production and has nothing to do with local dancing traditions.  The bridge was once much longer, stretching into the Occitane region. Much of it has since been swept away by the choppy waters of the Rhône, given to serious flooding as recently as 2003. Legend has it that the saint after which the bridge is officially named, Bénezet, built it with his bare hands. Compelled by Divine order, he would carry inhumanly heavy rocks to and fro, when others refused to help. Alas, the truth is more pedestrian.

Unusual for Catholic Europe, Avignon was also once a haven for Jewish populations from persecution elsewhere under Pope Clement VI. 

Time is made for us to appreciate Avignon Cathedral.  Whilst we don’t enter the Palais des Papes, Ana-Luiza ensures that we get a little quality time in the adjacent Les Jardins des Doms. From that elevated vantage point, we can take in some of the architectural splendour of the old papal palaces, as well as the abundant verdure of the surrounding landscape. The Rhône shimmers emerald-like below; beautiful but potentially deadly. In the distance is Saint Bénezet bridge once again and Villeneuve-lès-Avignon, another relic of Avignon’s long dalliance as the seat of the papacy. I plan to fit these into my itinerary later in the week.

Avignon Cathedral (c) Eva Piermario

After the tour, I nonchalantly head towards the Halles area to lunch at an overpriced health food restaurant. En route, I allow for a little birthday indulgence by buying a huge decadent cookie for dessert. I intermittently interrupt my adventure to respond to birthday messages and read the cards that have been delivered to me in advance, including moving sentiments from my research team. On top of her lovely card, mum sends me prayers by text. Each year, I continue to be touched by friends who have a hard enough time remembering their own birthday but make an effort to send me good wishes, as they know it means a lot. 

I spend a long time on the restaurant terrace, even squeezing a quick-ish phone call (by our standards) with sis. She asks me when was the last time I celebrated a birthday where I stayed put.  It doesn’t take long to do the maths. It’s been over 20 years. During my economically leanest moments, or even when there were the constraints of the pandemic, by the grace of God, I’ve been able to get a change of scene on my birthday. If funds, circumstances and/or inclination meant I remained in the same geographical location, I’ve still been able to celebrate in a different city.  Sis asks if I'd ever consider travelling with others for the occasion. You already live alone. There's no novelty in travelling solo. Yes, I reply but it's less stressful. There's no one else potentially to spoil the day. I'm responsible for my own happiness.

As for the birthday itself, a mini-milestone… I can’t say how I’ll feel five years, three years or even six months from now. Yet, I’m not nearly as nervous about hitting my mid-40s – especially single – as the mere thought would have made me a couple of decades ago. Heck, I felt mildly anxious about it entering 2026. If I’m relatively relaxed, it can only be God.

My evening plans are modest: dinner at a local pizzeria with perhaps more elaborate dinner ambitions to take place later in the trip. That is until Didi offers to give me a lift to a local warehouse that has been converted into a food court and social space: ÔCargo. Why not? I’m in a festive mood. In addition to offering international cuisine, over summer ÔCargo hosts special events taking place throughout the week. Tonight it’s a free Bachata class en masse, as is apparently happening every Wednesday.

During the brief ride over, I learn that Didi works in PR and also manages his own properties, like the one where I’m staying. ‘I’m surprised the bank would be willing to lend to someone so young’, I say. ‘Well, I’m 32’. Even by ‘black don’t crack’ standards, I’m shocked. Up till that moment, I assumed Didi was 19. Still, for a baby millennial – or anyone under 50 for that matter – I wouldn’t expect he could raise the capital to invest in property. ‘I earn good money. The bank considers me worth the investment’, Didi replies. 

The warehouse is starting to get busier as I’m dropped off. A DJ warms up the crowd. A significant number of those who’ve shown up are here for the dance class.

Meanwhile, I hesitate between Greek and Tunisian. I opt for the former, given that I hear so much about how great Greek cuisine is. However, except for some home experiments, I’m not very familiar with it. What I have had hasn’t really lived up to the hype. Today will be no exception. Compared to how reasonable the other pop up restaurants are, I spend too much on a bland mixed kebab plate. It takes too long to arrive and the meat is undercooked when it comes. There’s more delay as I wait for it to be well done.

First world problems.

I have a good book and tasty mocktail to entertain me. I’m also keeping one eye on the Bachata class. The participants aren’t very diverse and despite the enthusiasm of the instructor, the moves looks rather stiff.

Oddly enough, the soundtrack to the class for most of the night is Afrobeats.  The instructor does a fluid-hip demonstration with a dance partner to round off the evening, before opening the floor for one last hurrah to an authentic Bachata tune. I decide to join in but from a safe distance in the corner. I want to dance freely and not be obligated to pair up. (When I return to the accommodation later that evening, Didi will sound surprisingly disappointed that I didn’t officially participate in the class). I try to remember some of the basic steps I’ve picked up from my Bachata-infused Zumba classes but it’s not coming together as I’d like. I’m not very good at internalising choreo. Setting aside instances of spontaneous grooving, I need someone in front of me to mimic.

As I step out of the air-conditioned ÔCargo warehouse into the humid night, a large ‘blood’ moon awaits like a coral-coloured celestial gift.

Soundtrack: Tuff Times Never Last by Kokoroko

Part III

Part IV

Un Séjour Avignonnais: Part I

Avignon (c) mk s

More than half a year has passed since I last updated this blog. A year or two ago, this would have been unthinkable. Things change. Whilst my other writing outlets remain active, I just haven’t had either the mental or emotional space for La Vie Continentale. Neither have I had much inclination to recount in detail the drama that has preoccupied a significant chunk of the last year. I briefly referenced in my previous updates issues I had looking for accommodation, not to mention grievances at work. These both worsened before they got better. I ended up spending seven months lodging in the hotel, several of them turbulent. The situation at work became so grave that I had to involve my trade union to avoid being ‘constructively’ dismissed. Thank God my union rep is worth his salt, unlike the experience with my previous employer, The Trade Union Organisation (TTUO). As a result, things have settled down drastically at work.  In addition, as of April I moved into stable accommodation - a significant improvement on my last flat on a number of fronts. Thank you, Jesus.

I’m now bang in the middle of my PhD, and on the urging of my doctoral guidance committee, prioritising chapter writing. It requires a lot of mental stamina, even for a regular scribe like yours truly.

My birthday week is the ideal pretext to step away from the books and notes for some mental and physical respite. It comes off the back of an enjoyable if packed long visit from my mum and a few days seeing friends in my old stomping ground, Strasbourg.

My summer destination of choice in 2026 is also in France; Avignon in Provence. Specifically, I’ve come for a festival. No, not that one, nor its parallel fringe events but a Jazzy affair that I’ve had my eye on for 20-odd years. Inaugurated in 1992, the Jazz Avignon Musics (JAM) festival often – although not always – overlaps with my birthday. I can’t say exactly why it’s taken me so long to make good on my desire to attend, especially when I was living in France. Sometimes the dates haven't lined up. Sometimes other destinations have consumed my attention. This year, as I celebrate a mini-milestone, it feels like the right time to get acquainted with the City of Popes. This year, the festival dates align with my holiday plans. I’ve heard good things about Avignon but know little more about it than the nursery rhyme and that it took over Rome as the papal HQ for a period.

I’m so busy in the run up to my break that I’ve barely had time to draft an itinerary outline, as is my habit. When I do find time to research here and there, the info is surprisingly underwhelming. It appears that all roads lead to the Avignon Theatre and Off festival. Heritage sites notwithstanding, there’s not a lot going on. Considering Avignon is a main French city, there are very few of the donations-based walking tours that can be found elsewhere. None are available during my holiday week.

More to the point and much to my disappointment, JAM has been scaled back in terms of line-up and dates. The artists who will be performing during my stay either don’t seem worth the nearly 30 euros (student rate, mind you) ticket price or, as is the case for one of the bands, are from Belgium. I could probably see them anytime. There are some free events, like the opening ceremony. However, the band doing the honours doesn’t float my boat either.

I had hoped to satisfy my live music cravings at some of the local Jazz establishments. Alas, unlike Summer 2025 in Prague– where I was spoiled for choice– there isn’t as much Jazz going on elsewhere in Avignon as I’d have anticipated. The major Jazz bars are closed for the holidays (I didn’t think business shut down for summer in Southern France. Doesn’t the rest of the country head south anyway?).  Fingers’ crossed that the annual contest to find the next-big-thing-in-European-Jazz (also free) will compensate a little for this cultural dearth.

Perhaps I've chosen the ‘wrong’ year to come for JAM. It looks like I missed a good window in 2024. I could have swapped a mixed experience on the Croatian coast for some mind-bending syncopation, walking basslines and vocalese in (also sunny and warm) Provence. 

Having acclimatised to the momentary dip in temperatures post-heatwave in Brussels, it’s back to peak Mediterranean climes in Avignon. The heat is rendered more pleasant by a consistent breeze, nonetheless. This is Le Mistral territory, after all. The region being used to heat, the infrastructure is also adapted accordingly with high quality AC facilities on public transport, for example.

I arrive early afternoon at Avignon TGV station one Tuesday in late July.  My accommodation is a short commute away but trains to central Avignon aren’t very regular. Thanks to the help of some station staff, and a young lad who’s an expert on the network, I make my way to the accommodation sans GPS, as usual. 

(c) Elly Ch

En route, I note Avignon’s picturesque city centre, characterised by what looks like the remains of the city wall. To be continued.

My host, Didi (short for Didier), is surprisingly young. I’m guessing he’s barely out of his teens, if that. He could be my son. I assume he’s keeping an eye on the place for his parents. Didi’s welcome is reassuringly laidback.

I’ve committed to staying local on the first day, so that I take it easy. My neurospicy mind finds it difficult to rest, even when I have ‘permission’ – such as on holidays. Why sleep when there’s so much to discover?

In the end, I do venture further afield since, as I learn from Didi, the city centre is very accessible by foot if I follow the trajectory of the canal (a little bit of a stretch. More like a small body of water). En route, a drunk turns his attention away from two elderly dog-walkers who humour him towards me. I speed up my steps and promise myself I’ll take the bus back from town. I manage to put enough distance between us to lose him.

The city centre is indeed surprisingly close. I cover more ground than intended, skirting the old city rampart, observing the bilingual street names (French/Provençal), making a mental note of eateries and noting several establishments are closed for summer. Apart from some gob and a decomposing dead rat in the road, whilst not the cleanest European city, Avignon is not the worst either.  There are decent stretches of relative cleanliness, especially around the main historical sites.  I walk until my feet start to ache. I end up taking the bus back anyway, after a nearly 20 minute wait for the last one of the night. The summer evening timetable is very limited.

I get back at sunset, shower and grab my healthy-ish store-bought dinner from the fridge. Meanwhile Didi, who's playing video games in the living room, asks about my origins. When I mention I grew up in London, he informs me that he lived in Cambridge for a year working as an au pair to improve his English (I insist on speaking mostly French with him, however). Born in France to Ivorian parents, Didier considers England his ‘third home’ and would live there if it weren’t so pricey in comparison. 

We briefly discuss why I find so many mainland Europeans are drawn to the UK. The Continent, from what I’ve observed, has better work/life balance and more public holidays. If it’s less convenient that shops tend to close much earlier and are shut on Sunday, at least it points to a rhythm that incorporates rest, and life doesn't always revolve around the creation of capital. The cities in which I’ve lived don’t have the insane rents of London either. On the other hand, cities like London are streets ahead when it comes to cultural awareness. Considering the volume of micro (and not so micro) aggressions I’ve experienced in the past nine years (approx.), this makes all the difference in the world.

Part II

Part III

Part IV

Soundtrack: Tuff Times Never Last by Kokoroko