I began 2019 with the intention
of going to the UK more often than I did the year before. It's not especially ambitious, given that I only crossed the Channel once in 2018. My
aim has been to visit roughly once every quarter. I’ve
held to this resolve, regardless of the ups and downs with my
previous work contract.
My late autumn visit in early
November is to be my last in the year and I want to make it count.
(As noted on these pages before, I avoid any Yuletide excursions for
reasons of cost and busyness). It’s an intense week of meet-ups,
cancellations, last minute rescheduling, blessings in disguise and
surprise encounters. One early afternoon, rushing from one appointment to another and behind schedule, I bump into acclaimed British saxophonist/Hip-Hop artist, Soweto Kinch on the Northern Line.
Another evening, after a disconcertingly heated exchange with a long-time friend in Victoria Station, I strike up a conversation with a Guadeloupian tourist. It starts with a compliment about her bone structure and ends as a lively and educational (for me) discussion about the island’s history and ethnic make-up.
I talk literature, artful film and television with a cultured friend, just before heading to a Nai Palm gig. There are chats about educational policy, race relations and Christian sexual ethics over delicious hot drinks and pastries with two church sisters after Sunday service. Recent controversies about the new Joker film and Kanye’s purported conversion come up once or twice over the course of the week. I pop up to the Midlands to see a dear friend, sincerely chuffed that I’d make the effort.
Another evening, after a disconcertingly heated exchange with a long-time friend in Victoria Station, I strike up a conversation with a Guadeloupian tourist. It starts with a compliment about her bone structure and ends as a lively and educational (for me) discussion about the island’s history and ethnic make-up.
I talk literature, artful film and television with a cultured friend, just before heading to a Nai Palm gig. There are chats about educational policy, race relations and Christian sexual ethics over delicious hot drinks and pastries with two church sisters after Sunday service. Recent controversies about the new Joker film and Kanye’s purported conversion come up once or twice over the course of the week. I pop up to the Midlands to see a dear friend, sincerely chuffed that I’d make the effort.
It’s only what you would do
for me. I
deflect. It’s perfectly true.
I
confide in him about various relational drama and we share some of
our general life frustrations; in solidarity rather than self-pity.
There
are moments of reconciliation and others of separation. I update
loved ones about my work situation to varying degrees or hardly at
all, depending on my mood. I even squeeze in some General Election
campaigning in a notably hostile marginal seat in deepest, darkest
West London. If the misguided views on the doorstep can be
demoralising, the dedication and diversity of the campaigners- as
well as the compassion and integrity of the Labour Party candidate
herself-are thoroughly heartening. One self-employed man has taken
weeks off work to devote all his time to the campaign trail.
Looks can be deceiving. If first impression clichés were anything to
go by (and they’re not), you would think he takes his political
cues from The
Sun or
Daily Mail.
I couldn’t have come to a more faulty conclusion.
That
same evening, en route from NW to SE to see my mum
before she flies to Japan the following day, I
stop by my former Brazilian musical group’s rehearsal for a
post-practice ‘hello’. I arrive just at the end to a warm welcome
from my old musical director, Sergio and his wife Clara. He too is
in a hurry, on his way to hand out flyers at a concert by Brazilian
legend, Djavan.
What?! He’s in town?
Probably
a good thing I didn’t nab any Hiatus Kaiyote tickets that evening,
I console myself, I would have been torn.
My
week is so busy I hardly have a moment to spend with my hosts uncle Lenny and his step-daughter, Stassia. Ironically, my first proper
catch-up with either is at church that Sunday.
As
usual it’s a soul-enriching week. My pre-trip apprehension in light
of my recent change of circumstances is unfounded. I
wanted this to be an easy-going visit with minimal obligatory
meet-ups. I more and less get my wish.
Unlike last time, it's a stress-free trip back to Strasbourg, thank God. The city is looking distinctly more autumnal in the short time I've been away. This season has always carried a particular significance in my Strasbourg adventure. It was three years ago to the month that I first came to the city for my first interview at The Human Rights Organisation. I relocated to Alsace to start working there in Autumn 2017.
Fast forward two years and it's roughly a month since I left THRO. Despite my as yet uncertain employment situation, I can't overstate the psychological respite of being away from that environment. I'm not bitter, just better. I'm still in contact with former colleagues. The same week I return from the UK I bump into one of the THRO security team. I'm genuinely pleased to see him.
I ease my way back into my between-jobs routine. Half of my first full-day back is taken up with domestic chores. I pop out for a briefer period than hoped to study before rushing back to co-chair a Labour International teleconference that evening on remote campaign strategy for the British GE.
Ironically, I feel even busier than when I was working. My choir, the High Rock Gospel Singers (HRGS) have finally scheduled some studio time to record an oft-postponed album. Meanwhile, director Kiasi is making good on his promise for us to meet up.
We schedule drinks for the Saturday after my return from Blighty. Kiasi will treat me at a swanky little bar I've walked past numerous times but never noticed.
Ahead of the meet-up, I'm far more nervous than I should be. I find Kiasi's easy bilingualism intimidating. Whilst waiting for him near Homme de Fer tram stop, I try to switch fully into French mode by practising in my head. I even call on Divine Assistance. It's not as if I'm not using the language on a regular basis, living in the country and all. Just the night before on the way back from choir rehearsal, I've had an enriching conversation with two fellow sopranos about the rumoured etymology of the word for suburb 'banlieue' "place of the banished/undesirable". (Not apparently true, however. Yep, an anorak like me gets off on that sort of thing.)
It's just I tend to feel inadequate besides Kiasi's natural linguistic ability.
To be fair, he did have a head start in his native Cameroon. Both English and French are national languages, after all.
During the conversation I learn a little more about his background; his central African childhood, his journey with music and its inextricable link with the Choir. We converge on our mistrust and disdain for TV talent shows. I tentatively posit my theory on his outgoing public persona vs his reclusive private (real?) alter ego. A fairly accurate observation, according to Kiasi. I humorously chastise him for overlooking strong vocalists for potential solos whilst giving the spotlight to less talented members. One in particular. Kiasi tries to coax me into being more specific.
There are some awkward silences but it's an agreeable enough evening. I nevertheless can't shake my insecurity. It leaves me feeling disproportionately glum. I send lachrymose voice notes to sis, currently entertaining mum on her annual Japan visit.
Despite her busyness, sis is at her perspicacious best when she responds a few days later. Her incisiveness on the source of my neuroses provides much food for thought. An unlikely allegory from the X-Men franchise (with which I'm not familiar) serves as a very vivid illustration. I pray and resolve to put some of this insight to good use as much as I can.
I'll soon have my chance.
That evening I'm meeting up with new acquaintance Constantin (alas, his equally gorgeous older brother Stefano isn't about). It's an all-encompassing chat at the André Malraux Médiathèque. He admits to being more downbeat than usual. He's still smiley but has a distracted air. He picks up on a passing comment about the UK General Election and we organically segue into his Tunisian-Italian heritage, politics, faith, (the two 'big taboos' in polite French conversation), the value of human life, existential crises... Alternating between the two languages is a good intellectual exercise for us both. The eye candy is delicious too, I must admit. I do like me a pretty boy but I'm endeavouring to be wise about it. Enjoy the beauty but keep a platonic distance.
Before we part company that evening, Constantin announces that he and his brothers are thinking of relocating elsewhere in Europe in the new year. Looks like we'll all be moving on soon. Ships passing in the night.
Later that evening, there's more talk of politics and religion-rather unexpectedly- at my bible study house group meeting. To my great annoyance the relative ease with which I have been communicating with Constantin falters as my usual evening mental fatigue kicks in. I'm not as fluid as I'd wish. But I'm at my most vocal and impassioned, to the surprise of the group and later, my own mild chagrin. I want to persuade and not badger. I send an apology text on the way home to one of the group leaders. I'm reassured by his gracious response.
Soundtrack: Boys & Girls by Deluxe, Hiatus Kaiyote- Various, KIWANUKA -by Michael Kiwanuka.
Unlike last time, it's a stress-free trip back to Strasbourg, thank God. The city is looking distinctly more autumnal in the short time I've been away. This season has always carried a particular significance in my Strasbourg adventure. It was three years ago to the month that I first came to the city for my first interview at The Human Rights Organisation. I relocated to Alsace to start working there in Autumn 2017.
Fast forward two years and it's roughly a month since I left THRO. Despite my as yet uncertain employment situation, I can't overstate the psychological respite of being away from that environment. I'm not bitter, just better. I'm still in contact with former colleagues. The same week I return from the UK I bump into one of the THRO security team. I'm genuinely pleased to see him.
Autumn in Strasbourg (courtesy of Deviantart.com) |
Ironically, I feel even busier than when I was working. My choir, the High Rock Gospel Singers (HRGS) have finally scheduled some studio time to record an oft-postponed album. Meanwhile, director Kiasi is making good on his promise for us to meet up.
We schedule drinks for the Saturday after my return from Blighty. Kiasi will treat me at a swanky little bar I've walked past numerous times but never noticed.
Ahead of the meet-up, I'm far more nervous than I should be. I find Kiasi's easy bilingualism intimidating. Whilst waiting for him near Homme de Fer tram stop, I try to switch fully into French mode by practising in my head. I even call on Divine Assistance. It's not as if I'm not using the language on a regular basis, living in the country and all. Just the night before on the way back from choir rehearsal, I've had an enriching conversation with two fellow sopranos about the rumoured etymology of the word for suburb 'banlieue' "place of the banished/undesirable". (Not apparently true, however. Yep, an anorak like me gets off on that sort of thing.)
It's just I tend to feel inadequate besides Kiasi's natural linguistic ability.
To be fair, he did have a head start in his native Cameroon. Both English and French are national languages, after all.
During the conversation I learn a little more about his background; his central African childhood, his journey with music and its inextricable link with the Choir. We converge on our mistrust and disdain for TV talent shows. I tentatively posit my theory on his outgoing public persona vs his reclusive private (real?) alter ego. A fairly accurate observation, according to Kiasi. I humorously chastise him for overlooking strong vocalists for potential solos whilst giving the spotlight to less talented members. One in particular. Kiasi tries to coax me into being more specific.
There are some awkward silences but it's an agreeable enough evening. I nevertheless can't shake my insecurity. It leaves me feeling disproportionately glum. I send lachrymose voice notes to sis, currently entertaining mum on her annual Japan visit.
Despite her busyness, sis is at her perspicacious best when she responds a few days later. Her incisiveness on the source of my neuroses provides much food for thought. An unlikely allegory from the X-Men franchise (with which I'm not familiar) serves as a very vivid illustration. I pray and resolve to put some of this insight to good use as much as I can.
I'll soon have my chance.
That evening I'm meeting up with new acquaintance Constantin (alas, his equally gorgeous older brother Stefano isn't about). It's an all-encompassing chat at the André Malraux Médiathèque. He admits to being more downbeat than usual. He's still smiley but has a distracted air. He picks up on a passing comment about the UK General Election and we organically segue into his Tunisian-Italian heritage, politics, faith, (the two 'big taboos' in polite French conversation), the value of human life, existential crises... Alternating between the two languages is a good intellectual exercise for us both. The eye candy is delicious too, I must admit. I do like me a pretty boy but I'm endeavouring to be wise about it. Enjoy the beauty but keep a platonic distance.
Before we part company that evening, Constantin announces that he and his brothers are thinking of relocating elsewhere in Europe in the new year. Looks like we'll all be moving on soon. Ships passing in the night.
Later that evening, there's more talk of politics and religion-rather unexpectedly- at my bible study house group meeting. To my great annoyance the relative ease with which I have been communicating with Constantin falters as my usual evening mental fatigue kicks in. I'm not as fluid as I'd wish. But I'm at my most vocal and impassioned, to the surprise of the group and later, my own mild chagrin. I want to persuade and not badger. I send an apology text on the way home to one of the group leaders. I'm reassured by his gracious response.
Soundtrack: Boys & Girls by Deluxe, Hiatus Kaiyote- Various, KIWANUKA -by Michael Kiwanuka.