(Courtesy of Kyero.com) |
The commemoration of the World War Armistice falls in the middle of the week this year. I take some time off either side of the holiday.
Way back in the deepest darkest moments of the second lockdown, Brussels’ Internations Travel Group posted plans for an autumnal break in Portugal’s second city. I’ve heard only good things about Porto. Maybe too much. I don’t realise how high my expectations have been set until I arrive.
As is my practice when I have a flight that leaves before the early afternoon, I camp out at the airport all night to avoid any last minute hitches. I pay the price in a good night’s sleep but make up for it in peace of mind. Ironically, in the end, my flight is delayed by half an hour.
On the plane, sleep catches up with me. The arm of the male passenger to my left brushes past me too often for comfort but it’s hard to prove malintent.
Flying into Porto, it’s sunny and the air is clear. It doesn’t take long to collect my small check-in luggage. I should be making up for lost time by rushing to my lodgings. Instead, I get caught up in a long conversation by text with my friend Izzi about ethnic nomenclature.
At the airport metro station, a peremptory older South African male curses and grumbles at the seemingly indecipherable ticket machine. Standing by, his timid significant other mutters banal suggestions. He then turns to me with the same sense of entitlement. I remind him that a ‘please’ and ‘thank you’ goes a long way. He dismisses me with a wave and a hollow ‘thanks very much’. He probably misses the good old days of Apartheid.
It’s mid-afternoon by the time I reach the stop closest to my accommodation, Casa da Música; named for the concert hall in the vicinity. Next to one of the exits is a homeless man under a mountain of layers, despite the clement – if a little fresh weather. The level of accommodation insecurity in major cities across Europe is depressing. Even in a country like Portugal, with a socialist government, they haven’t yet managed to stamp out this socio-economic blight.
(courtesy of localporto.com) |
The shops and restaurants aren't as glamorous as those in the touristic areas and it’s less clean. The guesthouse, on the other hand, is flawless. I couldn’t ask for a more pleasant accommodation. The house-proud property manager, Christina, runs a tight ship. There are special coverings for outdoor shoes and all remote controls – be it for the AC or TV – are embossed with clingfilm. As a host, however, she is not at all anal. Quite the opposite. Warm and welcoming, she patiently encourages my attempts to speak Portuguese. After she shows me to my splendid room and gives me some tourist tips, it remains for me to shower and change for an afternoon of exploring my immediate surroundings. I try and stay fed with various, unexciting pastry-based snacks I grab on the way. At least Portugal remains as inexpensive as I recall from my late 2000s visit to Lisbon with mum and sis.
Using
some of the information Christina has shared, I take a twilight stroll
near to the Casa da Música itself. I’m drawn to the tall cylinder
edifice in the centre of the closest park. From a distance, I
struggle to identify the sinister looking structure at the top of the
plinth. On closer inspection, I make out an eagle subdued under the
claws of a menacingly triumphant lion. It’s some kind of war
memorial, judging by the other imagery at the base, but there's no
inscription explaining that particular interspecies depiction. I later learn that this Rotunda da Boavista is a paean to colonialism (which the tourist website celebrates without irony) and that the crushed eagle supposedly represents the French during the Peninsula War with the Portuguese and British allies.
Although Christina reassures me the neighbourhood is safe, I don’t plan to stay out late. Not seeing any viable options for eateries, I stop off at a huge, well-stocked Lidl (next best to the UK) for a makeshift dinner. It'll be consumed in the cosy guesthouse lounge, watching The Late Show with Jimmy Fallon and Portuguese-dubbed cartoons. Before then, I do some short metro hopping, to see if I can get a feel for the city.
The next morning, I take advantage of Christina's sturdy Continental breakfast with the intention that it keeps me going until evening. During the meal, I have another opportunity to practise Portuguese with a couple of amiable Brazilians about to check out.
I’ve booked myself on a donations-based ‘free’ walking tour through central Porto. The guide is a typically-talented, multilingual Lusophone with an archaeological background called Adriano. He’s fiercely proud of his Porto roots, taking every opportunity to remind us. He frequently refers to the ongoing feud with Lisboans, only partly in jest. Porto natives are open and friendly, insists Adriano. They’d welcome anyone into the clan. Just don't p**s them off, or you’ve made an enemy for life, he warns.
The leisurely pace and breaks distract from the two and half hour running time. The tour takes in the centuries-long Portuguese/UK alliance, the (in)famous Livraria Lello said to be the ‘most beautiful bookshop in the world’ and connected to the Harry Potter novels (as if I care), ecclesiastical history and architecture and much more besides. The country itself is said to derive its name from Portus Cale, the Roman appellation for an ancient town once based in the region of modern Porto.
The weather is propitious. We stop off at various vantage points to have a good view of the City. And yet I’m still awaiting the ‘wow’ factor. Porto is attractive enough, like any number of European cities but I haven’t yet been as captivated as expected. I doubt it took me this long to fall in love with Lisbon.
The tour ends not far from where I am due to meet Internations’ host, Nathan and whomever else made good on signing up for the excursion.
En route I pass by another Porto landmark, the São Bento train station; somewhere Adriano refused to show us because it’s being renovated; like much of the City during my visit.
I’m accompanied by a Filipino-American whom I’ve befriended on the tour. Whilst admiring the customary Azul-tile based frescas in the station, we somehow lose each other.
Before heading to meet Nathan and others, I pass by a mobile confectioners to buy some treats for acquaintances. If I suspect the vendor of trying to flirt, he dispenses of any ambiguity by informing me, apropos of nothing, that he likes black women. That’s typical of Portuguese men I say, with some exasperation (not that I get much love from Porto compared to the Capital). I could do without being fetishised by an old geezer.
After the vendor makes a meal of handing me my change, I disappear to the Ladies.
Meanwhile, I am determined to practise my Portuguese, mistakes and all, whilst still struggling to understand the European variation of the accent. Sometimes, I pleasantly surprise myself with how much I know, can make myself understood and -more or less- understand. Lusophones are on balance far more accepting of my tentative efforts than Francophones. They’re willing to overlook imperfections and acknowledge the good intent. This helps build my confidence. To those less familiar with Portuguese, my level might sound more impressive than it is. I can attribute my decent pronunciation to years of singing with a Brazilian group.
The Internations posse are a baker’s dozen-strong. Most of only just arrived that afternoon. Nathan is the closest to my age and I hardly know anyone else. We stop off for some mid-afternoon refreshments, giving us a chance to become better acquainted. I am my usually moody self but relax as the hours roll by. I strike a particular affinity with an Hungarian called Donna. She’s generous with her time and resources, treating me to local Porto fish and cheese delicacy Bacalhau.
São Bento train station |
The rest of twilight is spent crossing the landmark Dom Luis I bridge. Way down at the bottom, I can hear someone murdering Bob Marley’s Is this Love?
This musical mishap doesn’t detract from my enjoyment of the crepuscule vista. The flame-coloured sky complements the autumnal leaves just about hanging on to the trees marking the skyline. I’m finally beginning to appreciate the charms of Porto. At the other side of the bridge a woman sells local accessories for a steal. University students wander around in the distinctive white shirt, black tie and flowing black capes that are supposed to have inspired the Hogwarts’ uniform.
I part company with the group, having the intention of re-joining them later for dinner. The evening runs away with me. I end up eating a satisfying fish supper solo near the Trindade district.
For my penultimate day, I have arranged to see Porto from a different angle, via a Boat tour of the city’s six most significant bridges. My attempts to research the route to the departure point are in vain. In spite of my instructions, directions from locals and a couple of Brit tourists (themselves none the wiser), I end up on the wrong side of the Port and miss the departure. All's well that ends well. The view of the Riviera is gorgeous under the noon sun and the boat company are very flexible.
A multilingual pre-recorded guide gives brief overviews of the record-breaking bridges and their surroundings. Dom Luis I was built by Belgian Téophile Seyrig, student of Gustav Eiffel, whilst the Maria Pia bridge was constructed by the civil engineering maestro himself, with all the hallmarks of his intricate wrought-iron designs. Other idiosyncrasies of Porto’s delightful bay area come alive. The perfect place to sit and write after the tour.
As I put my thoughts to paper, I catch sight of Donna with a few other members of the Bakers’ Dozen. They’re temporarily separated from the rest.
Meanwhile, a shirtless tanned fellow in flowing green and gold satin trousers spends an hour plus setting up his busking spot. Judging from his accent, he’s from Portugal’s largest former colony. I check just to be sure. Carioca? No, he says, Recife.
Mr Eccentric resembles an orange-hued Nik Kershaw and has a distinctive hollowed-out guitar that reminds me of Prince. He runs to and fro, grabbing a cigarette here; a bottle of whisky there. Donna claims to have noticed him in, ahem, an aroused state earlier whilst pacing the bay.
If the spirits are there to give him Dutch courage, it eventually does the trick (although the tremoring of his hands suggest that sadly, he might be over-reliant). He cocks his hip to one side like a seasoned rock star and plays guitar covers of Chico Barque and Caetano Veloso like a dream. A good thing too, since he has to compete with the numerous buskers in the vicinity, including Mr Butchering-Bob-Marley-Songs. With his snazzy guitar, the topless guitarist mimics shooting a machine gun in his rival’s direction. He otherwise has his passers-by in thrall. Donna shushes me whilst she films him, which I don’t appreciate. During the final strains of one performance, a drowning dog – no, I’m not joking- momentarily steals his thunder.
Hopes for a siesta disappear as the day wears on and I still have one more sight on my checklist. The walk back to town is scenic, if longer than I anticipate. On the way, I pick up some more locally-produced accessories for future gifts.
After a quick, ill-advised stop off at the guesthouse, I make it to the beach at Foz do Douro just in time for sunset. Cleo Sol’s late summer release, Mother is suitably gorgeous and melancholy whilst I watch the pink and gold streaks fade into the horizon. The sea is choppy. I am conscious of keeping my balance as I venture in for a paddle.
I have an early afternoon flight to catch in the morrow. With only three days in town, rest is a luxury I couldn’t afford if I wanted to become merely a little acquainted with the City. I’ve barely had a moment to catch my breath. I still prefer the ambiance and aesthetic of Portugal’s Capital; at least, the Lisbon of my memory. I nevertheless can understand why Porto enchants so many of its visitors.
After
a short stroll around Douro, I auspiciously catch a direct bus to my
accommodation, only to be delayed by traffic jams for half an hour.
I have enough time to meet the Internations crew for dinner, albeit
later than hoped and getting
lost along the way. Only about half of the Bakers’ Dozen are in
attendance, others already feeling the fatigue. The food is oversold, overpriced
and underwhelming but it gives me a chance to say goodbye
to the group. I sneak in a crepe and red velvet ice cream on the way back to the guesthouse.
The morning of my flight back to Brussels, I'm exhausted and deeply regretting the absence of rest over the past few days.
Christina has prepared another generous Continental breakfast. Her kindness and hospitality has made this one of my best Airbnb experiences. Thus, the farewell at the end of our fleeting interaction is tinged with a particular sadness.
Soundtrack: Mother by Cleo Sol.