Arcul de Triumf, Bucharest (courtesy of Deposit Photos) |
8 min. read
By Sunday, I’m more than half-way through my stay. I plan to take it easy for the first part; church streaming, breakfast, siesta, a Skype call to sis. In the afternoon I hope to head to the Village Museum before taking a summer stroll organised by a Belgian based in Romania.
I can’t mentally switch off enough to benefit from the siesta. I am also hesitant to call sis. We haven’t had any face time for a while. I’ve already postponed our chat whilst I’ve been away. On the other hand, when I speak to sis, other plans tend to fly out of the window. What’s meant to be an hour max, turns into several hours. There’ll be no way I’ll be able to do everything on my itinerary if we overrun.
And that’s exactly what happens. I have to scrap my plans for the Village Museum, at least for that afternoon. There’s no time to see more of the hotel's locality, which I'd also hoped to squeeze in. I leave late for the Summer walk in the park and call the organiser, Alvin to let him know. I’m still finding Bucharest very tricky to navigate.
I should never have cut it so fine. I give up on the printed Google instructions, which lead me astray. I eventually make it to Piata Romana metro station. A middle-aged woman stands in front of me, and stretches her hand out as if to block my way. I’m confused. I wasn’t planning on jumping ahead. She looks at me, a smile that is polite but terse. She signals a different door. I assume she’s being helpful and thank her. Perhaps there’s some problem with the train door, or a Bucharest metro custom of which I’m unaware.
No, that’s not it.
The door works fine.
She walks in my direction. I presume she’s about to get off the train.
No, that’s not it.
She stands over me.
I don’t know if this is some form of intimidation but I will not be moved. I stay put until my stop approaches, making a point to walk directly in front of her when I descend from the train.
Out on the surface, I have no idea where Alvin and his fellow walkers are. I call him. None of the landmarks he mentions are in view. It becomes apparent I’m in the completely wrong part of the vast King Mihai I park. Alvin explains they’ll be reconvening at the Hard Rock Café. A passer-by tells me it’s half an hour by foot. I’ve come this far and would hate to make a wasted journey. I’m tempted to take a taxi but see none heading in my direction. By the time I arrive at the café – a combination of walking and bus – I’m flustered and grumpy.
King Mihai I Park (courtesy of Inn Your Pocket) |
He wishes more Western Europeans would discover his adopted country beyond the clichés of misery and deprivation. It’s misrepresentative.
He asks me a number of Belgium-related questions and pays a good deal of attention to what I’m saying; to the point I worry other guests feel excluded. We leave the restaurant en masse. Alvin offers to walk me back to the right metro stop. One of his Romanian guests tells him to ‘behave’ with a facetious smile.
‘Should I be nervous?’ I ask.
Alvin is a slight man with a limp. I’m not in immediate danger. However, I don’t want anyone getting the wrong impression.
We take the same scenic route on which he led the other guests earlier. Surrounded by lakes, it's a beautiful part of the City.
It’s slightly awkward as I discover we’re heading in the same direction on the metro. We manage nonetheless to keep the conversation going. I look away as Alvin's gaze follows a slender young woman with an exposed midriff.
On his advice, I descend at Universitat metro station. From there, I recollect the route Andrea showed me a couple of nights before to the Old City. Finally! I’m self-sufficient. I make my way directly to the landmark Manuc’s Inn, said to be one of the oldest hotels in Europe. En route, a platform worker on his bike shouts something vaguely discriminatory in my direction, when I don’t step out of his way fast enough…
‘...In your country….’
‘What?! What did you say?’.
He does not repeat it. It’s the second suspiciously racist interaction I’ve had in as many hours.
Manuc’s Inn is busy but not as boisterous as when I passed by on my first night. A raucous live recording of folk music streams through the speakers. The customer service is hit-and-miss. I’ve experienced incredible instances of friendliness on this holiday. Yet, I’ve also encountered an abruptness that lives down to less flattering stereotypes about this part of the world. The meal is passable and not too expensive; if lighter than expected. At least I’ve ticked Manuc's Inn off my must-do list.
I still have some space for dessert so I make my way to a Lebanese sweets café that I’ve had my eye on. Each time I walk past, the owner entreats me to patronise them with a cheekily aggressive flirtation. It turns out he’s not the owner. He’s a Romanian lawyer called Lenny (Leonardo) looking after the shop for a friend. None of the other employees are Lebanese either.
Lenny tells me I have a look that Romanian men find ‘exotic’. I don’t approve of this fetishisation but I find him more entertaining than I should. The good-natured younger employees make up for Lenny’s lack of professionalism. The ice creams are of excellent quality and distinctively flavoured. I joke in French with Lina, the Algerian waitress, assured the other two don’t know what we’re muttering about.
Village Museum (Izi Travel) |
On my last full day in Bucharest, I have a number of options. I had initially wanted to return to Sinaia Village, to visit the monastery. However, after the rather frenetic nature of Saturday’s all-day excursion to Transylvania, I don’t have the appetite to leave the City again. If I’d had an extra day, I would.
There are also some sites in Bucharest that I’m yet to explore, such as the Village Museum and historical places of worship.
David sends me an effusive message the day before, suggesting he’d like to reconnect before he flies back to Bolivia. After some reflection, I invite him along to the Village Museum. He accepts with zeal, only to cancel in the morning. He has to go to the airport earlier than planned, he says.
Whether or not this is the case or he just has cold-feet, I’m not too fussed. I’m re-discovering how to hold these ephemeral encounters loosely.
I’m not a museum enthusiast but I am sufficiently intrigued by the concept of the Village to give it a go. It houses replicas and originals, of traditional Romanian homesteads and agricultural materials from mainly the 18th and 19th Century. In the early days of the museum, during the first half of the 20th century, some inhabitants continued to live in the homes once they were transferred to the site.
As is my custom, I try to give as many as possible of the exhibits my attention (one of the hazards of these activities, I find). Only some of the homes are open for the public to enter and during set periods of the day. We otherwise have to be content to look through the cobweb-surrounded windows. Several exhibits are in the process of renovation. All that awaits visitors are empty rooms and plastic coverings.
After spending over two hours at the Museum, my curiosity is satiated. It’s back into town for lunch and more sightseeing.
At the Old Town I walk through backstreets and pass mercurial drunks to find the Curtea Veche - or Old Church. I realise on entering these Eastern Orthodox sacred spaces, that I don’t have the same relationship with them as I do with other church buildings. Whilst I have never belonged to Western Orthodox traditions such as Roman Catholicism or High Anglicanism, I’ve had more exposure to them.
After an underwhelming shop at German pharmacy chain DM, I head next to the Stavropoleos monastery, dating back to the early 18th century. Having glimpsed it on my first night, I now have time to explore in earnest. I’m more fascinated by the interior than I was by that of the Curtea Veche, which is larger with a more impressive façade. I observe the rituals furtively performed by most of those who enter both spaces. It makes me wonder how much these religious rites become an end in themselves; taking our eyes off the One whom we claim to worship. It demands self-scrutiny; how often do I lose sight of God through force of habit?
As I exit, I hear an older American proclaim loudly ‘...These aren’t saints. Not in the biblical sense…’, presumably in reference to the icons. Even if I don’t subscribe to these aspects of Orthodox worship myself, the arrogance of his tone irks me. He could at least save his disapproval for when he’s out of earshot of the on site clergy, et al.
It’s a late Lebanese lunch for me. On my way to the café, a local calls out, using a Chocolate-related epithet. The fetishisation is starting to grate.
The contrast between the Old Town by day and by night is stark. There are establishments that won’t open at all until evening. For the first time, I notice a bar called Aren’t We All Sinners? in English.
I have plans to reconnect with Andrea. She proposes an afternoon drink. It’s all her schedule allows. I text her an update but receive no reply. She’ll later inform me that my message only arrives hours after it was sent. It’s not meant to be.
The restaurant is virtually deserted. I receive courteous and attentive service from the multicultural staff.
Curtea Veche (courtesy of Sygic Travel) |
For dinner, I take the long way round to Cabu’ Ca Bere; via the Athenaeum and Queen Elisabeth Boulevard. I pass a large crowd gathered outside a neighbourhood church. A disembodied male voice intones a hymn, whilst the faithful line up to receive blessings from the priests. I look on intrigued, alongside other tourists, their phones at the ready.
Cabu’ Ca Bere is oddly busier this Monday evening than it was on Friday night. The waiting staff can just about seat me. I pop to the loo. My table has gone by the time I return. Thankfully, it’s easy to seat one. My waiter looks beleaguered. Originally from South Asia he’s been living in Romania for less than a year. I try something new from the menu. It doesn’t have the same spark as the feast I ordered for my birthday. Still, I have no regrets.
I decide to pay one last visit to the Lebanese dessert café. I pass a sketchy fellow sitting outside a bar whom I’ve seen earlier in the day. I return his leery look with a scowl.
The young staff at the café, Farid and Lina, are pleased to see me. Lenny is more subdued. Lina whispers that, whilst on his watch, a woman stole their tips.
Before long, Lenny returns to his cheeky ways. When Lina and I remark on the abundance of strip bars in Bucharest, he insists it’s not his scene. I remain incredulous. I’m a lawyer, not a liar! He declares. They're often one and the same thing, I retort, only half-joking. I did study law in a former life, after all.
I get some more French practice with Lina. Farid elaborates about his medical studies. He’s working at the ice cream parlour just for the summer. He’ll return to University shortly after I fly back to Brussels.
Lina offers me a free pastry, despite my protests to the contrary. She asks if I’ve enjoyed Bucharest. I confess it’s not the most charming city I’ve visited but it has a rich history. What will remain with me, I continue, is the warmth of spirit I’ve experienced. The sort that I'm enjoying at that very moment.
Soundtrack: Tutto Passa by Gianni Brezzo.
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