La Vie Parisienne

A bottle portraying monastic scenes, 13th Century, Syria
 (c) Collection of the Furusiyya Art Foundation
Part of the exhibits at 'Eastern-Arab Christians:
2000 Years of History' @ the IMA, Paris

After the Christmas break, life is returning to normality slowly but surely. At THRO it’s more of the former. Some colleagues have opted to take the whole first week of January as leave. On my first day back in the office, only a handful from the department have returned. Claudia, Mustafa and I rattle around the empty corridors like phantoms. There’s a serenity to which I could easily become accustomed. My inbox is mercifully quiet. Most of the emails are those I sent to myself from home. It allows me time to work on a detailed report Sophie has given me to proof-read. I started before Christmas and I’m still only just over half-way through. The English is of an advanced level but is often not idiomatically correct. At roughly 28,000 words, it’s nearly double the length of my MA dissertation with none of the familiarity. Still, it's a good intellectual workout.

Sophie returns to work the day after, only to have to take some special leave for family reasons. She’s easygoing about the report. All the more reason to not take advantage of her good nature.

That weekend I’ve planned a trip to Paris to catch an exhibition on the 2000+ year history of Christianity in the Middle-East, at the Institut du Monde Arabe. 2018 will make it almost a decade since I did more than pass through the city en route elsewhere. I’ve decided to make a weekend of it. The train ticket is cheap. I’ve found a good bed-and-breakfast deal in the suburb of Asnieres-sur-Seine. The weather forecast isn’t bad.

I arrive late Friday night. My room is on the fifth floor of an Ibis Styles on a quiet side street. The spiral staircase is steep and narrow and the room compact. But it's clean and cosy and I can see the top of the Eiffel Tower, if I stand on my bed.  The plan is to attend the exhibition on Saturday. I’ve arranged a last minute press pass with one of my contacts.

Ah, the weekend. Not the best time to enjoy a soon-to-finish exhibition in peace and quiet. The IMA is packed with tourist groups and families with young children. The exhibition is substantial but the passageways are narrow. Everyone is jostling for space, doing ballroom-like manoeuvres to negotiate the tightness.

Very little of the exhibition is in English. Good. With everyone being away for Christmas, I’ve hardly spoken to a soul let alone had much French practice. My Parisian excursion will be the most consistent interaction I’ve had with the language for a few weeks.

One visitor sidles up to me as we both contemplate an ancient Eastern Orthodox relief, still in remarkably good condition. I’m making notes for my other blog.

The features are very African, don’t you think?

I look at her askance. I’m assuming she feels at liberty to make the comment to me, since there are few other brown faces around. Detecting my wariness she adds, ‘I’m North African, that’s why I’m saying it’. I’m still not entirely convinced but I start to thaw.

‘Yes, I suppose. Compared to how the artists of the Renaissance portrayed them’.

She continues ‘It’s far more realistic than the European depictions'. I agree, remorseful for initially being so defensive.

I spend over four hours at the exhibition, not wishing to rush through anything. A fatigue overwhelms me half way through. Perhaps it’s a mix of going to bed late, winding my way through the crowds, being on my block-heeled feet for a few hours and the consistent effort of reading in a second language. I have to force myself to actually look at the artefacts and absorb the information rather than just seeing them. It’s easy to go on autopilot. I’m not usually one for exhibitions unless the topic is really of interest, as is the case. It still feels a little out of habit.

After a rest on some strategically-placed seats, I gain a second wind and complete the rest of the expo.

Notre Dame Cathedral, Paris

I go into the IMA in the early afternoon and emerge at sunset.  The night is still young. It’s high time to reacquaint myself with Paris for real.  Despite having grown up and lived most of my life in a Big City, I am surprised to find myself occasionally intimidated by other mega-metropoli; Paris being one of them. Especially now living in comparatively modest-sized Strasbourg. It hasn't always been the case. Maybe it's just old age kicking in. Or I'm recovering from my hectic London existence. A part of me is increasingly attracted to a quiet life. Just a little bit.

In the distance, the Eiffel Tower’s spotlight circles the city like a lighthouse. Across the bridge from the IMA, I spot a breathtaking Gothic building which I rightly suspect is the Notre Dame. I haven’t visited the medieval cathedral since a primary school trip. I make my way on foot.

En route, I’m stopped for directions by an attractive African-Caribbean couple. Assuming they are Francophones, I start to make my apologies...

‘Désolée. Je ne suis pas Parisienne. Je ne connais pas le quartier très bien…’

‘Uh...metro?’ asks the young man. Immediately perceiving a minimal level of the local language, I’m rather perversely tempted to continue to feign ignorance. In an effort to expose myself to as much French as possible, I’m resolute about distancing myself English-speakers, especially in social settings.

I relent. ‘Oh, you’re English speakers’, mildly disappointed, strangely relieved. They are taken aback at the switch, enquiring where I’m from.

Over at the Notre Dame there’s quite a buzz. Those fortunate enough to have passes are ushered in. Security guards line the streets. Outside the main gates a sizeable crowd has gathered, looking up expectantly. Whilst passing the famous bells explode into a rapturous chorus. Quasimodo would be proud (Sorry. I couldn’t resist).

Of course. It’s the Epiphany celebrations. How fortuitous to be in this part of town for it.

I've rambled enough. I need to write up this exhibition review. I start the journey back to the hotel. A quick change of plan and I decide to board the bus to Paris St. Lazare, one train stop away from Asnieres. It’s not the quickest route but it makes for a change. I don’t believe I’ve ever taken the bus in Paris. I treat it like a mini-tour.

The celebrated City of Lights is more illustrious still, draped in Christmas décor.

Back at my hotel, I gorge on French TV. It has an unfairly bad reputation. I can always find something to keep me entertained and/or informed. It’s the first time I’ve had the chance to indulge since moving to France. I didn’t have access to any at my former AirBnb’s and I’ve been debating whether to invest in one for my flat. It won’t remain undecided for much longer.

La Restaurant de la Sirène, Asnières-sur-Seine by Van Gogh

I wake up to a grey and damp Sunday morning. Nothing like a Continental breakfast buffet to cheer me up. Talk about an Achilles heel. It’s my habit to go down as close to the end as possible so I can dine in peace. It’s a gamble that doesn’t always pay off, as is the case that morning. A sizeable group of young French-Maghrebins, unconsciously or not sitting according to gender, are having a loud conversation across the cantine.

I soon scarper back to my room to watch a bit of ‘Un Sac de Billes’; a new TV adaptation of the (less engaging) novel that I had to study for French A-Level, about two Jewish brothers trying to survive Nazi-controlled Vichy France.

I pull myself away to explore the local surroundings. Asnieres-sur-Seine isn’t especially inspiring, less so when the weather is overcast. It does have the claim to fame of once being a muse for Van Gogh, whose paintings of the town during a more romantic era are dotted about.

On my stroll I notice a man with a bike come to a dead halt, grinning at me sheepishly. I return the smile somewhat tentatively. I am in the mind to walk past but realise it could be a chance to have a proper conversation. On my prompting he introduces himself as Denis. He’s on the way to have lunch with his parents. First, he wants to show me local landmarks such as the Chateau (more like an elaborate administrative building), a real life Swan Lake, some more scenes that Van Gogh painted and a farmer’s market. I encourage Denis to correct any of my grammatical mistakes. He’s keen, all right. He spent some time at boarding school in the UK in a town I’ve barely heard of. He has an advanced level of English. I ignore him and doggedly respond in French for most of the interaction. I keep warning him not to try and kidnap me. I’m only half-joking.

Denis is angling for some future socialising. I agree to send him a text about my plans that afternoon. I have a legitimate excuse. I'm awaiting a text from Julie, une connaissance Parisienne who might be able to meet up later. I don’t want to get Denis' hopes up but I’ll be polite about my demurral all the same. Besides, he has family from Alsace. It won’t hurt to say hello if he passes through that neck of the woods. We later have a lively linguistically-related text conversation that evening.

On the way back to my hotel for an afternoon siesta, I’m followed by a creepy old codger who, despite my obvious consternation, attempts to take pictures of my behind on his phone. I run to my hotel before he can get a clear view of where I’m staying.

(Incidentally, on the way back to Strasbourg, a cheeky bus driver, under the pretext of showing me where to catch my coach, asks me for my number.

What, my coach number?

No. Your telephone number.

What for?

So we can go out for a drink.

But I live in Strasbourg!

Well, whenever you come back to Paris.

Mes aïeux, Les Parisiens. Vous etes fous !

I don’t know what pheromones I’m giving off that attract eccentric older Caucasian men but I wish they worked as well on the younger, hotter variety instead).

After some more fun with satirical French puppets, comedians in drag and a couple of international Skype calls, I've had no word from Julie. I therefore return to the Parisian streets to do the stereotypically tourist-y stuff. Champs Elysee, L’Arc de Triomphe...because they’re there and it’s been a while and, like a kid, I get such a kick out of seeing the Eiffel Tower sparkle every hour, on the hour. During the day it has the unglamorous air of an intricately decorated, rusty old giant pole. But at night, all lit-up... quel merveille. It’s like meeting a celebrity. So there. Don’t judge me.

It’s a Sunday night but it could be any other weekday evening on the Champs Elysee. It’s heaving with activity. It’s even more resplendent in its festive setting. L’Arc de Triomphe is more impressive than I recall. Paris is cleaner and less odorous than I remember.

Overlooking the City from the great vantage point of the busy Trocadéro-Palais de Chaillot, I am reminded....  Ah yes. This is the City that once enchanted me so.