I do indulge in an afternoon off
on Friday (technically I’m only at work one and half days that
week). It comes in handy. Pete, my good friend and writing-accountability
partner, will be visiting that weekend. Fresh from celebrating
his 50th in the UK, he’ll be passing by Strasbourg via Basel, where he’s spending
time with an old acquaintance, Gregory.
That Saturday I’ll be
entertaining them both. The plan
is to do one of the great free city tours and come back to mine for
dinner.
I use Friday afternoon to stock
up on supplies in Kehl. Pete’s diet is restricted to fish and veg.
Greg is less of a challenge. I prepare my signature mixed-meat tagine
for Greg and I, baked salmon for Pete and well-preserved remnants of
my mum’s jolloff rice and akara
bean cakes for all.
The morning of their arrival, I’m
still running around like a loon in pursuit of groceries that I
haven’t been able to get my hands on. It’s
making me grumpy. Jesus’ admonition to Martha comes to mind; albeit a very different context.
Just before 1pm, Pete and Gregory
rock up in their rental; a metallic burnt-orange coloured vehicle. Hard to
miss. They’ve been taking it in turns on the road. Seasoned driver
Pete is still adjusting to manoeuvring on the left. After parking the
car, they pop to mine for tea. There’s not much time for anything
else before we have to leave for the tour.
I suggest they get a feel for
public transport. The car stays in my residential parking lot all afternoon.
En route to the tour’s starting
point at the Cathedral, Pete catches me up on the latest news about his charity walk. He’s raising
funds for the school he intends to set up in South London. He intends to cover 1000 km over the summer. To chart his
progress, he takes pictures in various locations holding up flash
cards with the date, the distance covered that day and a map of the relevant country. He and Greg have already done a fair bit in Switzerland and
have plans to continue. Pete concludes that we’ll cover a good distance
on the tour and strolling around town. I’m happy to offer moral and
financial support but have never been keen on the idea of being
sponsored. As a compromise, I agree to the photo opp.
The
weather is kind to our itinerary. The tour is guided by yet another charismatic young Alsatian, Leo. I’m
impressed by his powers of concentration. He has to contend with more interruptions than usual. A
Gilet Jaune protest over
the police-related death of Steve Maia Caniço,
a covers band performing in Place St. Etienne… Leo takes it all in
his stride, literally. Although I’ve done the tour on a previous occasion with mum and sis, it’s a good refresher. Each guide has their own style and different points of
emphasis. No two outings will be the same.
Tour
over, plans for a cool drink at Oh My Goodness! café come to nought.
They’re closed for summer.
In any case, we’re all a bit hot and tired. It’s
back to mine for supper. To
my relief, the two men are very satisfied with all the grub on offer.
During dinner, Pete poses
searching eschatological questions. Yours truly segues
to uncomfortable passages in the Torah. Christian engagement in the fight for social justice is also a recurring theme of the day. We share accounts of having survived cult-like churches. It's not all heavy or theological though. We compare living standards in the UK and Europe, different approaches to tax and the Swiss' intolerance for jay-walking. After the main meal, Pete and I read each of our latest flash fiction pieces to Gregory and exchange feedback.
Pete is one of my favourite
people; one of the few with whom I can truly be myself. I’m
grateful we have been able to socialise in the Strasbourg context,
no matter how brief.
Early evening. Basel awaits. It’s time for
the two friends to be making tracks. Gregory finishes
off his (store-bought) raspberry tart. Paul sticks to a mini choc ice
whilst I
wrap his lemon dessert for the road. I accompany them as far as
L’Orangerie before bidding a fond farewell.
The next day after church, I meet
up with Serafine at Gare Centrale. Her daughter is at a summer camp
and she’s just dropped off some guests.
Half-Austrian, Half-Gabonese and based in Kehl, she’s invited me to an African Music Festival in a charming small German town. Serafine is especially looking forward to the headline act; Gambian singer/songwriter and kora virtuoso, Sona Jobarteh. The three hour drive there and back will give us plenty of time for conversation. Serafine puts me through my linguistic paces. We always broach thought-provoking topics. Yet she is encouraging and patient and my confidence grows in her presence.
Half-Austrian, Half-Gabonese and based in Kehl, she’s invited me to an African Music Festival in a charming small German town. Serafine is especially looking forward to the headline act; Gambian singer/songwriter and kora virtuoso, Sona Jobarteh. The three hour drive there and back will give us plenty of time for conversation. Serafine puts me through my linguistic paces. We always broach thought-provoking topics. Yet she is encouraging and patient and my confidence grows in her presence.
On arriving at the festival, it’s
a rude awakening to find that entry is not free. Neither is it cheap.
I’m used to community festivals and/or those that have a tier
system. But there’s no turning back now. As I’m bringing out my wallet, Serafine offers to pay and won’t take no for an answer.
Fortunately for us, one of her generous male acquaintances pays for both our tickets.
To my delight we’ll soon be joined later by my Strasbourg bestie, Gael and his childhood chum,
Agnès. Unimpressed by the beer festival they have just attended in a Strasbourg suburb, they hit the motorway to the Afro-Fest.
Despite their similar Afropean backgrounds and moving in the same circles, it's the first time Serafine and Gael are meeting. They get on like a house on fire. Gael has that effect on folk.
Despite their similar Afropean backgrounds and moving in the same circles, it's the first time Serafine and Gael are meeting. They get on like a house on fire. Gael has that effect on folk.
It’s the third and final day of
the festival. It’s ‘African’ in the loosest sense of the word; at least as far as music policy is concerned. A female impersonator of advanced years (whom I suspect of skin-bleaching) does
an hilarious, heavily-accented
cover of
Tina Turner’s Simply
The Best;
signature dance moves et al. Some adorable youngsters -ranging from
tots to teens -perform
a traditional dance
before bizarrely switching to The Black Eyed Peas’
Where is the Love?. Not
speaking any German, I haven’t a clue what instigates the change in tone. I don’t want to keep asking Serafine to translate.
Sona’s headline set is preceded by a German ska-band. We eat mediocre crèpes and over-priced traditional West African dishes whilst we wait for the main act.
Sona’s headline set is preceded by a German ska-band. We eat mediocre crèpes and over-priced traditional West African dishes whilst we wait for the main act.
I observe the festival’s demographic as the audience slowly but surely
drips in. Despite the German reputation for being cold and reserved,
this is a far less inhibited crowd than what I'm used to in
Strasbourg. It's also quite diverse. Your 'average' German rubs shoulders with hippies and the Afrocentric.
Other clichés abound, however. You have your dread-locked, white bo-ho types. One woman walks around in what I assume is a very loose halterneck underneath the baby-carrier strapped to her chest. I soon realise she's topless. Only her infant comes between her breasts and the elements (this doesn’t wholly prevent some spillage, mind you).
There are plenty of proud African men with their European wives/girlfriends in tow; sporting blonde braids and wearing matching wax or kente.
Other clichés abound, however. You have your dread-locked, white bo-ho types. One woman walks around in what I assume is a very loose halterneck underneath the baby-carrier strapped to her chest. I soon realise she's topless. Only her infant comes between her breasts and the elements (this doesn’t wholly prevent some spillage, mind you).
There are plenty of proud African men with their European wives/girlfriends in tow; sporting blonde braids and wearing matching wax or kente.
Sona Jobarteh @ The Emmendingen African Festival, August 2019 (c) Gilles Dolatabadi |
There
are comparatively few women of African descent in the vicinity. A few
are selling their wares or mingling in the crowd.
You could count them all though, jokes Serafine.
Even at an African culture festival we’re all but invisible.
You could count them all though, jokes Serafine.
Even at an African culture festival we’re all but invisible.
Some
consolation can be found in the fact that the festival is being
closed by a strong, talented and resourceful African woman. Sona graces the stage with a regal presence, resplendent in a native red and gold ensemble; her
heavy-looking kora strapped to her front (occasionally swapped for
the guitar). She has
the sharp, figure-eight curves I see on few other women. A little bit
of representation goes a long way.
Gael
is smitten. He claims her as his wife. Agnès and I threaten to tell
his boyfriend, Patric.
T'inquiètes. I’ll just tell him I found
better!
I watch with a mix of admiration
and unease as Sona pushes past the pain barrier to pluck intricate
melodies on her chosen instrument. She
does call-and-response stand-off instrumentals with her effervescent
percussionist, who habitually challenges his fellow musicians and the audience to keep up. Sona welcomes her son on stage to play the balafon; an African xylophone. The
bashful but focused young gent holds his own. He is a pupil at a school Jobarteh has established in Gambia, where local children are
immersed in their culture and history alongside standard academic
subjects. It’s a superb initiative which she hopes will spread
across the continent.
During a rendition of the ode she wrote to celebrate the country's 50th anniversary of independence, Sona calls out to her compatriots. They have shown up in full force to support. There are probably
more Gambians present that evening than I’ve come across
cumulatively. So elated are they to be represented by their
countrywoman, a number of them leap on stage before being ushered
away by sluggish security.
Gael is not amused to see other
suitors vying for his would-be spouse’s affections.
Is this how they carry on in
the Gambia? He
says, with mock-indignation. I’m
going to write a strongly-worded letter to the embassy!
The feverish atmosphere is contagious. I dance to the very
end despite my aching legs. Our group hangs around to chat, take pics (Gael) and stalk
Sona (Gael again).
Unlike me, Serafine has work in the morning. She nonetheless kindly offers to drop me off home.
At last, we head to her car. A parking ticket has appeared on her windshield. She shrugs it off.
Unlike me, Serafine has work in the morning. She nonetheless kindly offers to drop me off home.
At last, we head to her car. A parking ticket has appeared on her windshield. She shrugs it off.
An hour-and-a-half later of deep discussion on the road, and it’s after midnight by the time I step
through the door.
* LVS will be on a summer break until September.
Bel été
! *