Summer Vibrance

After Lyon, it’s straight back to work. I normally take a 'buffer' day of leave but there’s no need on this occasion. The work load is less intense now that most colleagues are away. Plus the countdown to my next, longer summer getaway is already on. No time to waste.

I do indulge in an afternoon off on Friday (technically I’m only at work one and half days that week). It comes in handy. Pete, my good friend and writing-accountability partner, will be visiting that weekend. Fresh from celebrating his 50^th in the UK, he’ll be passing by Strasbourg via Basel, where he’s spending time with an old acquaintance, Gregory.

That Saturday I’ll be entertaining them both. The plan is to do one of the great free city tours and come back to mine for dinner.

I use Friday afternoon to stock up on supplies in Kehl. Pete’s diet is restricted to fish and veg. Greg is less of a challenge. I prepare my signature mixed-meat tagine for Greg and I, baked salmon for Pete and well-preserved remnants of my mum’s jolloff rice and akara bean cakes for all.

The morning of their arrival, I’m still running around like a loon in pursuit of groceries that I haven’t been able to get my hands on. It’s making me grumpy. Jesus’ admonition to Martha comes to mind; albeit a very different context.

Just before 1pm, Pete and Gregory rock up in their rental; a metallic burnt-orange coloured vehicle. Hard to miss. They’ve been taking it in turns on the road. Seasoned driver Pete is still adjusting to manoeuvring on the left. After parking the car, they pop to mine for tea. There’s not much time for anything else before we have to leave for the tour.

I suggest they get a feel for public transport. The car stays in my residential parking lot all afternoon.

En route to the tour’s starting point at the Cathedral, Pete catches me up on the latest news about his charity walk. He’s raising funds for the school he intends to set up in South London. He intends to cover 1000 km over the summer. To chart his progress, he takes pictures in various locations holding up flash cards with the date, the distance covered that day and a map of the relevant country. He and Greg have already done a fair bit in Switzerland and have plans to continue. Pete concludes that we’ll cover a good distance on the tour and strolling around town. I’m happy to offer moral and financial support but have never been keen on the idea of being sponsored. As a compromise, I agree to the photo opp.

The weather is kind to our itinerary.  The tour is guided by yet another charismatic young Alsatian, Leo. I’m impressed by his powers of concentration. He has to contend with more interruptions than usual. A Gilet Jaune protest over the police-related death of Steve Maia Caniço, a covers band performing in Place St. Etienne… Leo takes it all in his stride, literally. Although I’ve done the tour on a previous occasion with mum and sis, it’s a good refresher. Each guide has their own style and different points of emphasis. No two outings will be the same.

Tour over, plans for a cool drink at Oh My Goodness! café come to nought. They’re closed for summer.

In any case, we’re all a bit hot and tired. It’s back to mine for supper. To my relief, the two men are very satisfied with all the grub on offer. During dinner, Pete poses searching eschatological questions. Yours truly segues to uncomfortable passages in the Torah. Christian engagement in the fight for social justice is also a recurring theme of the day. We share accounts of having survived cult-like churches. It's not all heavy or theological though. We compare living standards in the UK and Europe, different approaches to tax and the Swiss' intolerance for jay-walking. After the main meal, Pete and I read each of our latest flash fiction pieces to Gregory and exchange feedback.

Pete is one of my favourite people; one of the few with whom I can truly be myself. I’m grateful we have been able to socialise in the Strasbourg context, no matter how brief.

Early evening. Basel awaits. It’s time for the two friends to be making tracks. Gregory finishes off his (store-bought) raspberry tart. Paul sticks to a mini choc ice whilst I wrap his lemon dessert for the road. I accompany them as far as L’Orangerie before bidding a fond farewell.

The next day after church, I meet up with Serafine at Gare Centrale. Her daughter is at a summer camp and she’s just dropped off some guests. 

Half-Austrian, Half-Gabonese and based in Kehl, she’s invited me to an African Music Festival in a charming small German town. Serafine is especially looking forward to the headline act; Gambian singer/songwriter and kora virtuoso, Sona Jobarteh. The three hour drive there and back will give us plenty of time for conversation. Serafine puts me through my linguistic paces. We always broach thought-provoking topics. Yet she is encouraging and patient and my confidence grows in her presence.

On arriving at the festival, it’s a rude awakening to find that entry is not free. Neither is it cheap. I’m used to community festivals and/or those that have a tier system. But there’s no turning back now. As I’m bringing out my wallet, Serafine offers to pay and won’t take no for an answer. Fortunately for us, one of her generous male acquaintances pays for both our tickets.

To my delight we’ll soon be joined later by my Strasbourg bestie, Gael and his childhood chum, Agnès. Unimpressed by the beer festival they have just attended in a Strasbourg suburb, they hit the motorway to the Afro-Fest. 

Despite their similar Afropean backgrounds and moving in the same circles, it's the first time Serafine and Gael are meeting. They get on like a house on fire. Gael has that effect on folk.

It’s the third and final day of the festival. It’s ‘African’ in the loosest sense of the word; at least as far as music policy is concerned. A female impersonator of advanced years (whom I suspect of skin-bleaching) does an hilarious, heavily-accented cover of Tina Turner’s Simply The Best; signature dance moves et al. Some adorable youngsters -ranging from tots to teens -perform a traditional dance before bizarrely switching to The Black Eyed Peas’ Where is the Love?. Not speaking any German, I haven’t a clue what instigates the change in tone. I don’t want to keep asking Serafine to translate. 

Sona’s headline set is preceded by a German ska-band. We eat mediocre crèpes and over-priced traditional West African dishes whilst we wait for the main act.

I observe the festival’s demographic as the audience slowly but surely drips in. Despite the German reputation for being cold and reserved, this is a far less inhibited crowd than what I'm used to in Strasbourg. It's also quite diverse. Your 'average' German rubs shoulders with hippies and the Afrocentric. 

Other clichés abound, however. You have your dread-locked, white bo-ho types. One woman walks around in what I assume is a very loose halterneck underneath the baby-carrier strapped to her chest. I soon realise she's topless. Only her infant comes between her breasts and the elements (this doesn’t wholly prevent some spillage, mind you). 

There are plenty of proud African men with their European wives/girlfriends in tow; sporting blonde braids and wearing matching wax or kente.

Sona Jobarteh @ The Emmendingen African Festival, August 2019
(c) Gilles Dolatabadi

There are comparatively few women of African descent in the vicinity. A few are selling their wares or mingling in the crowd. 

You could count them all though, jokes Serafine. 

Even at an African culture festival we’re all but invisible.

Some consolation can be found in the fact that the festival is being closed by a strong, talented and resourceful African woman. Sona graces the stage with a regal presence, resplendent in a native red and gold ensemble; her heavy-looking kora strapped to her front (occasionally swapped for the guitar). She has the sharp, figure-eight curves I see on few other women. A little bit of representation goes a long way.

Gael is smitten. He claims her as his wife. Agnès and I threaten to tell his boyfriend, Patric.

T'inquiètes. I’ll just tell him I found better!

I watch with a mix of admiration and unease as Sona pushes past the pain barrier to pluck intricate melodies on her chosen instrument. She does call-and-response stand-off instrumentals with her effervescent percussionist, who habitually challenges his fellow musicians and the audience to keep up. Sona welcomes her son on stage to play the balafon; an African xylophone. The bashful but focused young gent holds his own. He is a pupil at a school Jobarteh has established in Gambia, where local children are immersed in their culture and history alongside standard academic subjects. It’s a superb initiative which she hopes will spread across the continent.

During a rendition of the ode she wrote to celebrate the country's 50th anniversary of independence, Sona calls out to her compatriots. They have shown up in full force to support. There are probably more Gambians present that evening than I’ve come across cumulatively. So elated are they to be represented by their countrywoman, a number of them leap on stage before being ushered away by sluggish security.

Gael is not amused to see other suitors vying for his would-be spouse’s affections.

Is this how they carry on in the Gambia? He says, with mock-indignation. I’m going to write a strongly-worded letter to the embassy!

The feverish atmosphere is contagious. I dance to the very end despite my aching legs. Our group hangs around to chat, take pics (Gael) and stalk Sona (Gael again). 

Unlike me, Serafine has work in the morning.  She nonetheless kindly offers to drop me off home.

At last, we head to her car. A parking ticket has appeared on her windshield. She shrugs it off.

An hour-and-a-half later of deep discussion on the road, and it’s after midnight by the time I step through the door.

Soundtrack: Tabansi Records Sampler– Various Artists (BBE Records)

* LVS will be on a summer break until September. Bel été ! *