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The Equinox is behind us and Northern Hemisphere Autumn is well underway. Whilst I’ll miss the abundant light, longer days and (snatches) of good weather, my memories of summer 2024 might not be as tinged with the usual nostalgia. The season has been challenging for my morale; particularly at its height in August.
I return from my second excursion to Croatia exhausted. I-need-another-break-to-recover-from-my-holiday-cliché exhausted. The excess scrutiny from certain yokels contributes to my mental fatigue. Compared to my first, now almost mythic trip to Croatia, this one is less charmed.
The exhaustion continues well after my return to Belgium. Post-birthday angst, about all the things I haven’t achieved at my age, hits with a vengeance. I’ve also not recovered financially as quickly as I’d hoped after years of precarity. Perhaps I was naïve to think it would be that easy. It isn't straightforward moving on without the cushion of savings. Several things I couldn’t afford to do before, important but not urgent, now require my attention. Furthermore, due to a shift in contractual T&Cs and energy companies’ overall greed, I suddenly have a hefty annual electricity bill.
My anxiety is sky high, leading to a malaise that itself sets off a vicious cycle. I’m too agitated for decent sleep, flooded by invasive thoughts. The lack of rest in turn contributes to the malaise and so on. I’m bouncing off the walls. I continue to go on campus so that I don’t feel too isolated at home. I sense that generally fewer Bruxellois-e-s take lengthy breaks in August. Nevertheless, at one point, there are only two of us in the sizeable open plan workspace.
Despite my efforts to socialise and take advantage of several attractive summer activities happening across Brussels, I still feel intensely alienated. The malaise starts to affect my motivation. The plan is to spend August on focused reading. I make the error of starting with some of the driest and most technical aspects of my studies. In addition, the University requires new PhD candidates to complete compulsory online courses. These are broadly soul-sapping administrative affairs. Although I power through, all this consumes mental energy that I hardly have to spare.
(image courtesy of Buzzfeed) |
It's an odd experience. The whole concept of summertime sadness has largely been alien to me. I didn’t even know some folk dealt with vernal-related depression until fairly recently. Unlike the gloomy, dark and wet hibernal seasons, how could anybody begrudge light and sunny summer? True, I’ve had the occasional emotionally difficult summer but that had more to do with insufficient social stimulation. This feels like a different animal, more akin to what I've frequently experienced before spring begins in earnest.
In any case, this isn’t related to the weather so much as my current life season, notwithstanding the reprisal of my studies. I’m full of gratitude for my PhD adventure; a thick silver lining in my otherwise ambiguously grey Belgian experience.
That’s another thing I’ve been coming to terms with. My ambivalence towards Belgium isn’t just a passing phase. Nor is it limited to one particular crisis such as a pandemic or job insecurity.
Whether it’s the bureaucracy, the unimpressive infrastructure (in spite of very high taxes), how hard it is to create a community, or the generalised discourteousness, it’s just not my cup of tea. That's the verdict after four years of more or less giving it the benefit of the doubt. The benchmark used to be whether I felt better in Belgium than when I left France. For the first time, I must admit a similar disenchantment has set in. And yet the Almighty clearly has plans for me in the Land of Waffles, Beer and Chocolate; at least, for the next few years. I therefore make my peace with it, like being in a (privileged) state of exile. Similarly, the timely reading of A War of Loves by David Bennett helps me be better reconciled with my longer-than-anticipated single status.
Elsewhere, from late summer until well into autumn my diary will be replete with meaningful activity. At the end of August, I attend a well-needed one-day silent retreat. These events are unsettling and emotionally demanding in the most beautiful and constructive ways. The following day, I attend a Pan-African cultural festival to support dance session en masse led by my most talented Afro-Zumba instructor. A number of other regulars from the class also show up. I feel like I'm in a musical. Without a doubt, it's one of the highlights of the summer.
Early September also marks my third trip to the socio-political and cultural festival, Manifiesta. For the first time, I’m more directly involved in organising events which demands a weekend long stay, as opposed to my usual day visit. I book a delightful en suite that alas, I’m too busy to properly enjoy beyond showers and bedtime. En route to the festival on the first day, happenstance would have it that I stumble across Auntie J from the UK, flanked by a couple of mates. Ever since I told her about the festival, she’s been itching to attend. Her initial plan was to bring a sizeable posse but in the end, it whittles down to a trio.
I’m co-moderating a Francophone event organised by peace and anti-colonial campaigners, Intal. The panel discussion covers resource sovereignty in Africa, ever-draconian European migration
policies concerning inflows from the Global South, and the success of popular uprisings in Senegal. It’s one of the first
events of the festival, so we’re not expecting a big turnout.
Yet the room is jam-packed and there’s not enough time to
take all the questions during the Q&A session.
The team is left feeling exuberant.
Apart from the illustrious international roster of guest speakers – from UK economist Grace Blakeley to the dynamic Franco-African domestic worker turned trade unionist and politician, Rachel Kéké – it’s like a Who’s Who from the world of CSO’s and activism on the ground. I bump into many a comrade. Amongst them is Suki, whom I met when I was working on the Equality Pact in Marseille, where she's normally based. She’s since quit the project, disillusioned with management.
Whilst volunteering at one of the pop-up bars, I serve an American pundit, with whom I’m familiar from his occasional stints on Novara Media. He’s a lot more obnoxious in real life. I meet a Dutch woman who studied Portuguese and happened to have taken lessons with one of my former bandmates from my Bossa Nova/MPB days. I bump into an amiable young Afro-Caribbean fellow whom I recognise from a predominantly black church that I sometimes visit. I’m ecstatic to meet another Christian in this context. I bound over to him, effusive with encouraging words about how important it is for us to be there. Social justice is Kingdom Business too.
Once again, I hang out with some of Jeremy Corbyn’s crew. JC is back this year, promoting a book he’s co-written with one time anti-Apartheid campaigner, ex-ANC politician and vocal anti-Zionist, Andrew Feinstein. Music is also an indispensable part of the Manifiesta programme, with both local and international guests performing. Tiken Jah Fakoly and the UK rapper-activist, Lowkey are amongst this year's high profile line-up. Intal have invited a musician acquaintance of mine, Diese Mbangue, to perform after he lit up one of our smaller events earlier in the year with a solo acoustic set. For Manifiesta, Diese returns with his full band for what turns out to be an electrifying performance.
A couple of weeks after the festival, I’m off to Strasbourg for the first
time since 2021.
En route by coach, I’m witness to a theft in plain sight. At Brussels Midi station, a dubious looking fellow boards the bus shortly after I get on. The inspector doesn't stop him, and yet he has too sketchy an air to go unnoticed. I can't tell if he's about to hold up the coach or have a funny turn. I eventually presume he's legit however, since none of the other passengers intervene when he takes a bag from the luggage rack. Nevertheless, sensing something suspect, a few of them spring to action to check on their own belongings.
By the time the girlfriend/wife of the unfortunate proprietor realises what’s happened, the culprit is too far and too quick for the couple to chase him down. Her significant other alternates between expletive rage and tearful distress. He exclaims that all his possessions - except his passport - are in that rucksack. After screaming (understandably) at the driver and inspector for their incompetence over security, the couple alight to make what will most likely be a futile police report. I offer to provide a witness statement but the fellow is too distracted. I feel distraught for him, as well as guilty. I was immediately suspicious but didn’t react when none of the passengers seemed fazed.
Several hours later, an old friend, Françoise, collects me from Strasbourg coach station in the wee small hours of the morning. Françoise has kindly invited me to stay with her and her bibliophile sister, Magritte. That not only takes care of accommodation but provides plenty of opportunity for Françoise and I to catch-up. (Ironically, although we do have a number of lengthy conversations about the dire state of French politics, the siblings’ favourite 70s and 80s pop/rock bands and Magritte’s enviably vast personal library, I barely update Françoise on what’s been happening on my end.)
The aim is to squeeze in as many visits over a long weekend, as well as to hop across the French/German border for some (still) mouth-watering bargains in Kehl. It’s an overly-ambitious itinerary, which circumstances will curb in an ultimately helpful way. A number of friends happen to be out of town that weekend. Another acquaintance definitively quits Strasbourg for the countryside mere weeks before my visit. The upshot is that I spend quality time with those I do manage to see. In the three years since my last trip there have been weddings, pregnancies, sicknesses, recoveries, trials, tribulations and triumphs.
The weather is marvellous for this time of year; ideal for several wistful strolls through the city. I pass by Temple Neuf for its ongoing weekly meditation session. I've missed it. In the absence of the main pastor, members of the congregation step in to hold a special commemorative service marking the World Week for Peace in Palestine & Israel. I’m somewhat impressed by how much Palestinian suffering is centred; something that is shamefully absent from many mainstream church spaces.
That same evening, Françoise generously offers to accompany me to the weekly rehearsal of HRGS; the choir to which we once belonged and where we first met. I plan to make an unannounced cameo. A few members are aware I’m in town but I’ve made no official arrangements to drop by.
We are warmly received. Whilst much of the choir is now unfamiliar, there’s enough of the old guard to bridge the gap between past and present. I’m asked to reprise one of my old solos, which in itself shouldn’t come as a surprise. I’m still more unprepared than I should be. Blame it on nerves, says Françoise. I'd rather not.
Meanwhile, after several of the veterans demand where she’s been, she decides to rejoin the choir. (Privately, she will later divulge that she took an indefinite hiatus by being reluctantly dragged into internal choral politics.)
My visit to my old Strasbourg church becomes fraught for
reasons too long to elaborate here. Once again, internal politics to which I’m
not otherwise privy are at play. The day is fortunately redeemed by plans to spend the
afternoon with erstwhile Strasbourg acquaintance, Sérafine, at her capacious flat in Kehl. She prepares a delicious pasta lunch and we while away hours
covering a gamut of weighty themes. Both of us have lived through substantial
changes in the intervening years.
I round off my Strasbourg trip by meeting up with former HRGS choir director, Kiasi. Dividing his time now between Paris and Alsace, he's obtained a set of wheels for the commute. We catch-up in his car, whilst Michael Jackson’s Dangerous album provides the nostalgic soundtrack to our overdue exchange.
Soundtrack: Timeless by Kaytranada, Milton + Esperanza by Milton Nascimento & Esperanza Spalding and Open Hearts by Joya Mooi.
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